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Deborah Greenhut

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Review: The Genesis Plays by The In[heir]itance Project: “The Leah/Rachel Play”

The Leah/Rachel Play forms part of a group of Genesis Plays by the collaborative known as The IN[HEIR]ITANCE PROJECT TEAM, led by Founding Artists, Jon Adam Ross, Managing Director, and Chantal Pavageaux, Artistic Director. Pavageaux notes in the program that the project “is committed to constantly trying new things.” The Bible, composed of many written strands, offers delicious, exploitable opportunities for contemporary artists, and this multimedia play offers an insightful documentary of the

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What Was Lost: A Review of the 2017 film, “The Long Wet Grass,” produced by Nancy Manocherian, Anna…

If you are familiar with the history of the “Disappeared” during Ireland’s Troubles, then the ending of the beautiful short film The Long Wet Grass is not going to surprise you, but the journey of watching is a poignant, often metaphoric, labor of love and pathos. The story of two people, Victor and Woman, caught in the nets of history and choices, entered publication as a vivid flash fiction story by Seamus Scanlon, published online by The Galway Review. By persisting in revisiting the characte

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Savoring the Pieces: The 19th Annual New York Ceramics and Glass Fair — January 17-21, 2018

The description of the Fair sounded a little daunting—5 centuries of artifacts from “30 top-tier vetted Galleries, Private Dealers, and Artists”—but I can assure you there was no museum fatigue as I worked my way around the New York City Ceramics and Glass Fair, chatting with dealers, artists, and arts professionals during the engaging opening reception.  I was dazzled by the hundreds of examples of glass, pottery, and ceramics makers’ art–names as familiar as Minton, Delft and Baccarat alongsid